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神農街開基藥王廟

去年五月，我離開了生活六年的台南，為了實現一些目標，準備前往對我而言更為神秘錯綜的台北。那時候只受不了白天過於猛烈的陽光，但沒想到半年後每天都在北部濕冷的天氣中期望著過往熟悉的溫度。

金安宮是大二的時候就知道的，位於設計基地附近，第一次見到就覺得這廟大的有點誇張，在舊社區中硬是擠出一個大空間，在路口交會點讓經過的人不得不仰之彌堅。要進去金安宮必須沿著正面的大階梯往上，爬了一點五層樓的高度才會進到正殿，比起戶外的陽光普照，廟埕內部的光線昏暗許多，香柱的煙緩緩移動，白得很明顯，之後便開始感到漸漸與世隔絕的不知所措。

隔天父親就會開車來把我所有的行李連同我載離台南，這座城市往後對我而言將不再有同樣的意義。而我也是在這個時候回來看看金安宮，比起驕傲佇立在巷弄端點，我更喜歡它被民宅半遮蓋的視角，有種以行人尺度，慢慢接近的感覺。

我還是想得到那天強烈的太陽，世界又亮又白，但街邊出簷與金安宮龐大的影子，厚重且漆黑。我不知何時才能再度回去。

Last May, I left Tainan, where I had lived for six years, to pursue several goals and move to Taipei, a city that felt more mysterious and intricate to me. At the time, I could only complain about the fierce sunlight during the day. I never expected that, six months later, I would be living in the damp cold of the north and longing for the familiar warmth.

I had known Jin'an Temple since my second year of university. It stood near my design site, and when I first saw it, I thought its scale was almost absurd. It forced a large open space into an old neighborhood, occupying the meeting point of the streets so completely that passersby could not help but look up. To enter the temple, I had to climb the broad staircase at the front, ascending roughly one and a half storeys before reaching the main hall. Compared with the bright sunlight outside, the temple courtyard was much darker. Incense smoke drifted slowly through the space, its whiteness sharply visible. I began to feel disoriented, as if I were gradually cut off from the world.

The next day, my father would drive to Tainan and take me, together with all my luggage, away from the city. From then on, Tainan would no longer carry quite the same meaning for me. I returned to Jin'an Temple at that moment. Rather than seeing it standing proudly at the end of the lane, I preferred the view partly hidden by houses: it approached at a pedestrian scale, slowly and quietly.

I still remember that day's intense sun. The world was bright and white, while the eaves along the street and Jin'an Temple's enormous shadow felt heavy and black. I do not know when I will return.

對於我久留於台南的最後印象

普濟殿的新軸線

我就讀的國小與國中就在隔壁，小時候上學都是由爸媽開車接送。直到國中二年級覺得騎腳踏車上學好像是一件很酷的事，所以就有一段時間每天提早床騎腳踏車出門。

與坐車不同，騎腳踏車可以抄近路，不用照著以前必須沿著大馬路而繞路，只要記得在一個不起眼的路口待轉，就可以進入兩旁都是高雜草的小巷，其中有一段路面會突然高起，之後就可以很順利的拐回熟悉的南京路。

每次停在待轉區的時候，都會看到馬路對面、小巷左側的一個鳥舍，藍色的鐵皮小屋被藍色的鋼骨紛亂架起，浮在底下看起來被壓縮的體皮屋屋頂之上，看起來要經過一個神秘的戶外梯子才能真的進入。但我沒有想太多，反正在嘉義，這種感覺就是自己搭起來的違建空間到處都有。直到我到其他城市待過一陣子，我也長到能騎機車的年紀，再度經過這裡才察覺到這種都市畫面的特殊與熟悉，感覺這個路口之中變化最大的竟然是我自己。

其實我不知道這棟鐵皮違建是不是用作鳥舍，這僅是我第一次看到它便產出的印象，反而持續至今。

The elementary and middle schools I attended were next to each other. When I was young, my parents drove me to school. In my second year of middle school, I decided that riding a bicycle to school would be cool, so for a while I woke up early and cycled out every morning.

Unlike traveling by car, a bicycle allowed me to take shortcuts. I no longer had to follow the main road and make a long detour. If I remembered to make a turn at an unremarkable intersection, I could enter a narrow lane lined with tall weeds. At one point the road suddenly rose, after which I could easily turn back onto the familiar Nanjing Road.

Whenever I stopped in the turning area, I saw a birdhouse across the road on the left side of the lane. A blue corrugated-metal hut was held up by a disorderly blue steel frame, floating above a compressed metal roof below. It looked as if one had to climb a mysterious outdoor staircase to enter it. I never thought about it too much. In Chiayi, improvised structures like this seemed to appear everywhere.

Only after I had spent time in other cities and grown old enough to ride a scooter did I notice the particular familiarity of this urban scene when I passed by again. The greatest change at this intersection, I realized, was me. I do not actually know whether the corrugated-metal structure was used as a birdhouse. That was simply the impression it made on me the first time I saw it, and the impression has remained ever since.

在回家路上的鳥舍

這棟立面豐富的建築也在我的設計基地之中，當初看到時簡直興奮到不行。從正面來看，材料就有鐵皮、水泥、磚、玻璃、鐵窗、木頭與塑膠牆，估計屋主應該是以哪裡該補就補哪的心態完成了這富層次的畫面。加上地面層的盆栽、植株、鐵爐、機車與透鏡，整體呈現一股具張力的和諧感，這棟建築簡直就是老台南在長久歷史發展以來拼拼湊湊修修補補所形成的現狀!不管我們喜歡與否，這便是我們所相處的城市。

This richly layered facade was also within my design site, and I was unbelievably excited when I first saw it. From the front, it brought together corrugated metal, concrete, brick, glass, metal grilles, wood, and plastic wall panels. I imagine the owner completed this rich composition with the attitude of repairing whatever needed repair, wherever it was needed.

Potted plants, vegetation, a metal stove, a scooter, and a convex mirror gathered at ground level. Together they formed a tense but harmonious image. This building felt like a portrait of old Tainan itself: a city assembled, patched, and repaired over a long history. Whether we like it or not, this is the city we live with.

媽祖樓旁的拼貼小屋

我在台南生活了五年半，儘管感覺是一段時間，但我好像是在第五年才開始真正認識這座城市。當時也許是作業變少了、時間變多了、閒情增加了、對於未來反而更迷茫。那時候開始內心隱隱的不安時而浮現，但我無可救藥地持續維持一切運作，彷彿如此就能將這些微小的焦慮視而不見。僅僅的回應大概就是時而會漫無目的地走著，帶著裝有黑白底片的半格機，也沒有期望什麼，大概還是希望著捕捉一些日常帶來的驚艷，而我把它當作一種只讓我認可的存在。

現在的我到了台北快一個月，早已忘記這張速寫的地點。沒辦法從中找尋特別的回憶，但我卻畫得很滿意。現在的狀態可能也是持續迷失，而且可能更嚴重，但算了。

I lived in Tainan for five and a half years. Although that felt like a long time, I seemed to truly begin knowing the city only in my fifth year. Perhaps there was less work, more time, more leisure, and a greater uncertainty about the future. A quiet unease began to surface from time to time, but I kept everything running almost compulsively, as if doing so could make those small anxieties disappear.

My only response was sometimes to walk without a destination, carrying a half-frame camera loaded with black-and-white film. I expected nothing in particular. Perhaps I still hoped to capture the small astonishments of everyday life, treating them as a form of existence that only I needed to acknowledge.

I have now been in Taipei for almost a month and have already forgotten where this sketch was made. I cannot recover a particular memory from it, yet I am pleased with the drawing. Perhaps I am still lost, perhaps even more seriously than before, but never mind.

掛滿燈籠的普濟殿旁巷弄

媽祖樓前的三角畸零地

來自台北的立面

東市場內的攤販

我的母親在兩個月前過世了，我還是非常想念她。從突然進入加護病房到真正離開的一個月，心情永遠是忐忑的，第一次因為全然的無計可施而感到沮喪，也因此認知到有些事只能面對它所帶來的無能為力。

這半年我離開了建築產業，一個月前正式被錄取為前端工程師。進入到以前完全不敢想像的美好產業環境與待遇，並在工作中體驗到持續學習與有感進步的滿足感。但偶爾我還是會想起我媽媽，便會感到悲傷，我不太敢在家人面前表現這一面，怕他們也在同樣的心情之下要多一層擔心。我也很害怕在接觸新環境與建立新的生活模式之後，媽媽在我心中的記憶會逐漸模糊，到某一天我再也不會突然悲傷，我希望她一直能保持者在我心中的重要性。

認知到世界上少了一個人，永遠對我的選擇支持與開心，我也少了一個能真正讓我感到安心的理由，我還有無數個從前的瞬間想再次來過，但生命還說要繼續過下去。

不久前我夢到我在海灘上，媽媽很開心的朝我走來，我很清楚她已經從我們身邊離開，但我還是很開心的抱她。我始終不清楚生命裡有什麼絕對，我想我會帶著這份迷茫繼續下去。

My mother passed away two months ago, and I still miss her deeply. From her sudden admission to intensive care to her death a month later, I lived in constant unease. For the first time, I felt the frustration of being completely unable to change what was happening, and I realized that some things can only be faced together with their helplessness.

Six months ago, I left the architecture industry. A month ago, I was formally hired as a front-end engineer. I entered a beautiful professional environment with conditions and opportunities I had once never dared to imagine, and I found the satisfaction of learning continuously and feeling myself improve. Yet I still think of my mother from time to time, and sadness follows. I am afraid to show this side of myself in front of my family, because they may already be carrying the same grief and I do not want to give them another reason to worry.

I am also afraid that after entering a new environment and building a new way of life, my memory of my mother will gradually blur. I hope she can remain important to me. Realizing that one person has disappeared from the world—that someone who always supported my choices and was happy for me is no longer there—has taken away one of the few reasons I truly felt safe. I have countless moments from the past that I wish I could live through again, but life insists that it must continue.

Not long ago, I dreamed that I was on a beach and my mother was walking toward me happily. I knew clearly that she had left us, yet I was still happy to embrace her. I have never been certain about what in life is absolute. I think I will carry this uncertainty with me and continue.

我的天空

三月的時候，工作環境發生了一些變動導致有了一些壓力，所以在周末臨時決定去台南取暖，希望能在慢悠悠的環境下曬曬太陽，讓心態放鬆一些。

儘管很久沒回去台南了，但其實也沒有什麼目的地，最後也自然而然的繞到我最熟悉的普濟殿周遭。我喜歡三月台南的天氣，陽光很強很美，但依然是能穿長袖的溫度。普濟里看起來還是沒什麼變，崎嶇的小巷穿透郡緯街與國華街，機車隨時從不經意的地方竄出，周遭房屋充滿著鐵皮加蓋，地面紅磚與柏油路面任意交錯。

我喜歡躲在小巷弄中看著巷道底端，巷道本身被國華街與郡緯街切分成好幾份，本來是很自然而然的路徑如今被劃分成多個場景。這些一眼望去充滿生活化的細節與景象，能帶給我許多想像。下次來台南我應該還是會漫無目的地繞來這個地方看看。

In March, some shifts in my work environment led to a bit of stress. To alleviate this, I spontaneously decided to escape to Tainan for the weekend. I yearned for its warmth and leisurely pace, hoping that basking in the sun would help soothe my mind.

Even though it had been quite some time since I last visited Tainan, I didn't have a specific destination in mind. As if by instinct, I found myself drawn to the familiar surroundings of Puji Temple. I cherish Tainan's weather in March – the sun is potent and captivating, yet the air remains cool enough for a long-sleeved shirt. Puji Lane looked much as it always had. Its meandering alleys weave through Junwei Street and Guohua Street, with scooters darting out unexpectedly. The adjacent houses, adorned with corrugated iron extensions, and the irregular blend of red brick and asphalt underfoot, add to its unique charm.

I take pleasure in secluding myself within these small alleyways, gazing at the ends of the lanes. The alleys themselves are bisected into several parts by Guohua Street and Junwei Street. What once were natural pathways have now been dissected into a plethora of scenes. These vistas, brimming with intricate details of everyday life, stimulate my imagination. The next time I visit Tainan, I am certain that I will once again meander aimlessly through this place, eager to see what new discoveries await me.

In March, some shifts in my work environment led to a bit of stress. To alleviate this, I spontaneously decided to escape to Tainan for the weekend. I yearned for its warmth and leisurely pace, hoping that basking in the sun would help soothe my mind. Even though it had been quite some time since I last visited Tainan, I didn't have a specific destination in mind. As if by instinct, I found myself drawn to the familiar surroundings of Puji Temple. I cherish Tainan's weather in March – the sun is potent and captivating, yet the air remains cool enough for a long-sleeved shirt. Puji Lane looked much as it always had. Its meandering alleys weave through Junwei Street and Guohua Street, with scooters darting out unexpectedly. The adjacent houses, adorned with corrugated iron extensions, and the irregular blend of red brick and asphalt underfoot, add to its unique charm. I take pleasure in secluding myself within these small alleyways, gazing at the ends of the lanes. The alleys themselves are bisected into several parts by Guohua Street and Junwei Street. What once were natural pathways have now been dissected into a plethora of scenes. These vistas, brimming with intricate details of everyday life, stimulate my imagination. The next time I visit Tainan, I am certain that I will once again meander aimlessly through this place, eager to see what new discoveries await me.

普濟里內的戲劇化場景

第一次坐環狀線，好像以緩滿的步伐在空中漫步，城市中的建築與我若即若離。儘管持續處於高密度的環境，住宅們卻有序地讓出一條道路，讓捷運平淡地，引導著充滿驚奇的我穿梭其中。

昨天坐在副駕駛座上，從市民大道高架道路接向忠孝橋，沿著縱貫道路穿越三重前往新莊。這段移動經驗也像是沈浮在都市之中，以不同於地平線的高度，企圖以更為貼近天空的方式重新認識這個地方。三重比中和有更多的高樓，環狀線讓我以齊頭的視野親近建築們；縱貫公路則在我提升之後反而感受到更多來自兩旁的壓迫。

回到環狀線，第一次搭橘線在景安站轉車，要從地下轉移至高架樓層，我在室內的手扶梯重複地轉半圈向上，就在對實際移動高度感到麻痹的同時，突然到了半戶外空間，我在六樓（？）的高層一路望著景平路與環狀線遠方交會的消失點，視線縫隙的兩旁分別為綿延的住宅商鋪，與承載著密集車流的交通設施。

由高密度人類活動需求所衍伸的人工活動場域，撐起了普通人行尺度所無法想像的空間震撼，我仍十分印象深刻。

Riding the Circular Line for the first time felt like taking a leisurely stroll through the air, the city‘s buildings maintaining a tantalizing proximity yet remaining just out of reach. Despite being ensconced in a densely populated environment, the residences neatly carve out a path, allowing the metro to guide me, filled with wonder, through its midst.

Yesterday, sitting in the passenger seat, we took the elevated road from Civic Boulevard to Zhongxiao Bridge, traversing Sanzhong towards Xinzhuang along the longitudinal road. This journey was like floating through the city, at a height distinct from the horizon, attempting to rediscover this place from a vantage point closer to the sky. Sanzhong, with its abundance of high-rises compared to Zhonghe, allowed me an eye-level intimacy with the buildings from the Circular Line; whereas the longitudinal road, after my ascent, made me feel more oppressed by the structures on either side.

Returning to the Circular Line, my first transfer at Jingan Station from the Orange Line involved moving from underground to an elevated level. Ascending repeatedly in half-circles on the indoor escalator, just as I became numb to the actual height I was reaching, I suddenly entered a semi-outdoor space. At what seemed like the sixth floor, I gazed along Jingping Road and into the vanishing point where it intersects with the Circular Line in the distance. On either side of this visual slit lay sprawling residential and commercial buildings, juxtaposed against the heavily trafficked transportation infrastructure.

These artificial realms, born from the high-density demands of human activity, support a spatial awe beyond the ordinary pedestrian scale, leaving an indelibly profound impression on me.

Riding the Circular Line for the first time felt like taking a leisurely stroll through the air, the city‘s buildings maintaining a tantalizing proximity yet remaining just out of reach. Despite being ensconced in a densely populated environment, the residences neatly carve out a path, allowing the metro to guide me, filled with wonder, through its midst. Yesterday, sitting in the passenger seat, we took the elevated road from Civic Boulevard to Zhongxiao Bridge, traversing Sanzhong towards Xinzhuang along the longitudinal road. This journey was like floating through the city, at a height distinct from the horizon, attempting to rediscover this place from a vantage point closer to the sky. Sanzhong, with its abundance of high-rises compared to Zhonghe, allowed me an eye-level intimacy with the buildings from the Circular Line; whereas the longitudinal road, after my ascent, made me feel more oppressed by the structures on either side. Returning to the Circular Line, my first transfer at Jingan Station from the Orange Line involved moving from underground to an elevated level. Ascending repeatedly in half-circles on the indoor escalator, just as I became numb to the actual height I was reaching, I suddenly entered a semi-outdoor space. At what seemed like the sixth floor, I gazed along Jingping Road and into the vanishing point where it intersects with the Circular Line in the distance. On either side of this visual slit lay sprawling residential and commercial buildings, juxtaposed against the heavily trafficked transportation infrastructure. These artificial realms, born from the high-density demands of human activity, support a spatial awe beyond the ordinary pedestrian scale, leaving an indelibly profound impression on me.

在無盡移動中的喘息與衝擊

我的母親是台中人，身為高中老師的她，於師範大學畢業後第一所任教的學校便是清水國中，我想對於她清水始終有著一段深刻的記憶吧。

而我對於清水，這間巨大的廟宇一直是我主要的記憶來源。龐大的廟宇量體隨時容納了絡繹不絕的香客，廟前有個的隨時塞滿車輛的大廣場，一實一虛的空間關係佔據了整個街廓，相比之下周圍雜亂零碎的住宅環境與遠方的山陵線也顯得微不足道。這由人文與宗教精神堆砌而成的人工地景，就此與清水畫上永恆的記憶等號。

(之後在查詢之下才了解這間廟為紫雲巖。)

My mother is from Taichung. As a high-school teacher, the first school where she taught after graduating from National Taiwan Normal University was Cingshui Junior High School. I imagine that Cingshui has always held a deep memory for her.

For me, this enormous temple has long been the main source of my memories of Cingshui. Its massive form continually receives streams of worshippers. A large plaza in front is often packed with cars, and the relationship between solid and void occupies the entire block. By comparison, the fragmented houses around it and the distant mountain ridgeline seem insignificant.

This artificial landscape, built from cultural and religious life, has become permanently bound to my memory of Cingshui. Only later, after looking it up, did I learn that the temple is Ziyunyan.

被汽車包覆的清水紫雲巖

不知從什麼時候開始，我開始喜歡看天空，我也喜歡嘉義和台南的建築高度，能讓我毫不費力地觀看我們城市屋頂們與天空的關係，自然而然地產生生活上的留白。

這個場景在嘉義的仁武宮，位於一大片沒什麼實際用途的中央廣場旁，鄰近熱鬧的中山路但總讓人感到冷清並時常忽略這裡的空間。仁武宮隱身於旁邊的房舍之中，但事實上我也是因為天空才注意到它的存在。也許是這些具生活感的屋頂們作為陪伴，我感覺跟天空跟我稍微近了一點。

At some point I began to enjoy looking at the sky. I also like the modest building heights of Chiayi and Tainan, which let me look effortlessly at the relationship between the roofs of the city and the sky, leaving a natural space for everyday life.

This scene is at Renwu Temple in Chiayi, beside a large central plaza with little apparent purpose. It is close to the busy Zhongshan Road, yet the space often feels quiet and overlooked. Renwu Temple is hidden among the surrounding houses. In fact, I noticed it because of the sky. Perhaps these everyday roofs kept me company and made the sky—and myself—feel a little closer.

嘉義公園旁的廟宇屋頂與天空

前往飛機巷途中的廟宇

層層往上再層層往下的住宅道路

窗外的風景

從東門套房窗外望的景象

普濟殿境善德堂是我基地中另一具有魅力空間的廟宇。在僅有四米寬的巷弄旁有一座直接臨路的樓梯，往上行走才會到達位於二樓的善德堂正殿，這也使善德堂有著較高的建築高度。

普祭里的巷弄是崎嶇的，一開始我時常迷失於這裡的老舊建築群之中。有次忽然發現善德堂地背側屋頂突然於周遭建築的縫隙間探出頭來，在驚喜之餘我也隱約意識到自己所處的空間位置。能在老城迷失之餘，利用具特色的老建築為自己定位，我想這正是這片基地最迷人之處。

Shande Hall at Puji Temple is another temple with a compelling space within my design site. Beside an alley only four metres wide, a staircase rises directly from the street. One must climb it to reach the main hall on the second floor, which gives Shande Hall a greater apparent height.

The lanes of Puji are irregular. At first, I often lost my way among the old buildings. Then one day the roof at the back of Shande Hall suddenly appeared through a gap between the surrounding structures. Along with the surprise, I became faintly aware of where I was standing.

To use a distinctive old building to locate oneself after becoming lost in the old city is, I think, what makes this site so compelling.

境善堂背側

第一次去開元路是在大一某一次設計課結束，時間還早，大家就一起去開元五金行看各種材料。那時候對我而言，從規設院沿著前鋒路前往開元路的過程很新奇，沒有太多思考的去認識之後會經過無數次的路線。

之後開元路開了一家我經常去光顧的全聯，全聯前方還特別空下一大塊空地當停車場，也因為如此，我才會注意到隱藏在沿街老舊房屋背後的巨大廟宇，它以一種跟開元路不協調的角度佔據著。看著這座大廟的層層屋頂，當初蓋它的時候信眾一定會希望有一個氣勢十足的信仰空間。

大三中國建築史課，柏霖學長的期中報告主題正好就是這間廟，不過整個大三我都是帶著壓力渾渾噩噩的度過，沒有好好聽學長報告，只記得這間廟的確很大，學長秀出的平面圖中有很多階梯與柱子，一層一層地建立屋頂下的空間。以及因為跟歷史有關的原因，所以廟宇才會以奇怪的角度座落在那邊。

最近回到台南，全聯與廟宇之間的停車場空地突然被蓋起來，變成一間藏壽司，從同樣的角度看過去，廟宇大部分會被毫無特色的新餐廳遮住。這對我而言有點難過，感覺記憶中開元路的樣子已經是過去式了，我再也無法從現實看到我畫中的模樣。不過鄉愿如我，其實沒有真的實際走進去這間大廟看看，可能對我而言，一個建築最美的姿態就是我開始注意到它的第一眼，會讓我驚異並且留存在記憶中的那一眼。

The first time i visited Kaiyuan Road was during my freshman year, after a design class had ended. Since we still had plenty of time, my classmates and I decided to visit Kaiyuan Hardware Store to explore various design materials. For me, the journey from the Design Institute along Qianfeng Road to Kaiyuan Road was fascinating, a route I would unknowingly traverse countless times in the future.

Later, a Pxmart – a store I frequently visited – opened up on Kaiyuan Road. In front of the Pxmart, a vast area was specifically left vacant as a parking lot. Because of this, I noticed a massive temple hidden behind the row of aged houses along the street. It stood out distinctly, its orientation strangely discordant with that of Kaiyuan Road. Gazing at the cascading roofs of this grand temple, I could imagine that the devotees who built it wished for a majestic space for their faith.

In my third year of university, during a course on the history of Chinese architecture, my senior classmate Polin presented a midterm report on this temple. However, my entire third year was a blur due to the immense stress I was under, so I didn't pay proper attention to his presentation. I only remember that the temple was indeed enormous, with numerous stairs and pillars portrayed in the floorplan he showcased, layer upon layer creating the space under the roof. Moreover, due to historical reasons, the temple sat at that peculiar angle.

Recently, on a return visit to Tainan, I found the parking lot between the Pxmart and the temple was suddenly built up and transformed into a Sushi restaurant. From the same perspective, most of the temple is now obscured by this featureless new establishment. This made me feel somewhat melancholic. It seems the image of Kaiyuan Road I held in memory is now a thing of the past. I can no longer see the view I once sketched from reality. Still, as a liar like me, I never truly ventured into the temple to explore it. Perhaps, for me, the most beautiful state of a architecture is when I first notice it, that initial glance that fills me with awe and forever etches itself into my memory.

The first time i visited Kaiyuan Road was during my freshman year, after a design class had ended. Since we still had plenty of time, my classmates and I decided to visit Kaiyuan Hardware Store to explore various design materials. For me, the journey from the Design Institute along Qianfeng Road to Kaiyuan Road was fascinating, a route I would unknowingly traverse countless times in the future. Later, a Pxmart – a store I frequently visited – opened up on Kaiyuan Road. In front of the Pxmart, a vast area was specifically left vacant as a parking lot. Because of this, I noticed a massive temple hidden behind the row of aged houses along the street. It stood out distinctly, its orientation strangely discordant with that of Kaiyuan Road. Gazing at the cascading roofs of this grand temple, I could imagine that the devotees who built it wished for a majestic space for their faith. In my third year of university, during a course on the history of Chinese architecture, my senior classmate Polin presented a midterm report on this temple. However, my entire third year was a blur due to the immense stress I was under, so I didn't pay proper attention to his presentation. I only remember that the temple was indeed enormous, with numerous stairs and pillars portrayed in the floorplan he showcased, layer upon layer creating the space under the roof. Moreover, due to historical reasons, the temple sat at that peculiar angle. Recently, on a return visit to Tainan, I found the parking lot between the Pxmart and the temple was suddenly built up and transformed into a Sushi restaurant. From the same perspective, most of the temple is now obscured by this featureless new establishment. This made me feel somewhat melancholic. It seems the image of Kaiyuan Road I held in memory is now a thing of the past. I can no longer see the view I once sketched from reality. Still, as a liar like me, I never truly ventured into the temple to explore it. Perhaps, for me, the most beautiful state of a architecture is when I first notice it, that initial glance that fills me with awe and forever etches itself into my memory.

開元路旁的全聯與巨大廟宇

因為台灣設計展前往新竹旅遊，然而參訪的人超出預期，於新竹公園的展覽都大排長龍，完全消去了我看展的念頭，轉而開始觀察這座城市。

這張速寫是由公園看往東大路一段的景象，公園旁巨大的公寓大樓，之後是紛亂的舊屋舍、填滿道路兩側的機車與良莠不齊的招牌。但奇異的我竟然於腦海浮現沙克研究中心的場景，而原有位於端景的海面於此變成南清公路的高架路段。但不得不承認，當時的我確實是有所驚嘆，心想這也許是更為精彩的展覽吧。

I traveled to Hsinchu for the Taiwan Design Expo, but the crowds were much larger than expected. Every exhibition in Hsinchu Park had a long queue, which completely erased my desire to see the shows. Instead, I began observing the city.

This sketch looks from the park toward Section One of Dongda Road. A huge apartment building stands beside the park, followed by a disorderly group of old houses, scooters filling both sides of the road, and signs of uneven quality. Strangely, the scene brought the Salk Institute to mind. The sea that would have been the distant view in that image became the elevated section of the Nanqing Highway here.

I have to admit that I was genuinely amazed at the time. I thought this might be the more interesting exhibition.

新竹設計展街道

基隆車站旁的大樓

2021年中，在經歷過一整年心不在焉的畢業設計之後，心虛又莫名的拿到一些獎項與機會，還是硬著頭皮去參加大評圖展覽。但沒想到那時候的我竟發自內心地感到開心與充實，能認識到一群對於建築既有才華又有熱情的朋友，對於過去一年都處在自我懷疑情緒之中的我而言是一種難得喘息。而賢俊就是在這個活動中認識的一位朋友，之後的兩年我們仍然持續聯絡著。

這段時間，我離開台南到台北尋求在全新領域的機會，而賢俊則為了唸書從台北移至台南。中間有聽說他與後來認識的靖軒在成大附近租了一間公寓，將他們整理的很漂亮。三月初去台南的時候我就直接去拜訪並借住一晚，那是一段很棒的體驗，我喜歡隔天起床，從各角落照進室內的微微光線，廚房牆上簡單漂亮的磁磚花磚，還有放在陽台鐵窗內的大盆盆栽。我在太陽開始熾熱的時間被帶領到屋頂上參觀，看到了像我這張速寫畫面一樣的景象。

對於這個區域我是熟悉的，我在同一條街上的小事務所工作了將近一年的時間，但從一個更高的地方回望整個區域還是讓我感到很開心，能透過這個角度看著天空與整個區域還是讓我感到很開心，透過這個角度我可以慢慢欣賞著天空與人們生活空間的界線，具生活化的鐵皮屋頂與水塔在平視的高度上也變得可愛了起來。

在台北的生活經驗告訴我什麼是對於空間極盡所能地利用其價值，然而回到台南，欣賞天空好像又變回一種自然而然的習慣，那些焦急的、不安的，也隨之成為一種淡然。那是今年三月初，在初春卻出現大太陽的屋頂上。

In mid-2021, after an entire year of distractedly working on my graduation project, I unexpectedly received some awards and opportunities. Still, I reluctantly decided to participate in the major architectural review exhibition. Unexpectedly, I felt genuinely fulfilled and happy during that event. It brought me closer to a group of talented and passionate friends in architecture. In that whirlwind of joy, I met 賢俊, and we kept in touch over the next two years.

During this period, I moved from Tainan to Taipei, exploring opportunities in a new field, while 賢俊 relocated from Taipei to Tainan for his studies. I had heard that he and 靖軒, whom I got to know later, rented an apartment near NCKU and turned it into a lovely living space. In early March, when I visited Tainan, I dropped by their place and stayed overnight. It was a delightful experience. I adored the faint light that seeped in from every corner in the morning, the elegant tiles on the kitchen walls, and the large potted plants by the balcony. As the sun intensified, they took me up to their rooftop, revealing a scene reminiscent of my sketch.

I was familiar with the area since I had worked at a small office on the same street for almost a year. However, viewing the neighborhood from a higher vantage point brought a sense of joy. From this perspective, I could leisurely appreciate the boundaries between the sky and the living spaces. The utilitarian tin roofs and water towers, seen at eye level, seemed quite charming.

Living in Taipei taught me about maximizing the potential of spaces. However, when I returned to Tainan, gazing at the sky felt like a natural habit again. The anxieties and restlessness faded into indifference. That was in early March, on a rooftop sunlit by the early spring sun.

In mid-2021, after an entire year of distractedly working on my graduation project, I unexpectedly received some awards and opportunities. Still, I reluctantly decided to participate in the major architectural review exhibition. Unexpectedly, I felt genuinely fulfilled and happy during that event. It brought me closer to a group of talented and passionate friends in architecture. In that whirlwind of joy, I met 賢俊, and we kept in touch over the next two years. During this period, I moved from Tainan to Taipei, exploring opportunities in a new field, while 賢俊 relocated from Taipei to Tainan for his studies. I had heard that he and 靖軒, whom I got to know later, rented an apartment near NCKU and turned it into a lovely living space. In early March, when I visited Tainan, I dropped by their place and stayed overnight. It was a delightful experience. I adored the faint light that seeped in from every corner in the morning, the elegant tiles on the kitchen walls, and the large potted plants by the balcony. As the sun intensified, they took me up to their rooftop, revealing a scene reminiscent of my sketch. I was familiar with the area since I had worked at a small office on the same street for almost a year. However, viewing the neighborhood from a higher vantage point brought a sense of joy. From this perspective, I could leisurely appreciate the boundaries between the sky and the living spaces. The utilitarian tin roofs and water towers, seen at eye level, seemed quite charming. Living in Taipei taught me about maximizing the potential of spaces. However, when I returned to Tainan, gazing at the sky felt like a natural habit again. The anxieties and restlessness faded into indifference. That was in early March, on a rooftop sunlit by the early spring sun.

賢俊與靖軒家的天空

位於下潭的家

全美戲院是我在台南當學生時最常去的電影院，我喜歡在晚餐時間進場，兩場電影時間過後，出來已經深夜。順著空蕩的街回家，思考著剛剛電影裡的情節，無法很快把自己轉換回現實世界。

但我對全美的立即印象，還是在離開戲院之後，順著永福路底端望去的祀典武廟，第一次看到就覺得它霸氣地佔據在路中央，彷彿不在乎似的吸收著不算少的車流，就是威嚴的存在著。

之後熟悉了這裡才知道，永福路避開武廟向右而偏，武廟後的赤崁樓才是永福路的真正終點。小時候常常跟家人來也會把車停在這裡，只是全美戲院再度帶我回來了這個地方。

其實很多看過的電影我已經忘記，但全美戲院外的空間細節倒是會讓我時不時想起。現在的我已經不見得願意花上幾個小時投入到一個全新的時空故事之中，取而代之的是在同樣空蕩的深夜對以前的記憶片段沒來由地回想起......

All Beauty Theater was the cinema I visited most often as a student in Tainan. I liked entering around dinner time and emerging late at night after two films. I would walk home along the empty streets, thinking about the plots I had just watched, unable to return quickly to the ordinary world.

Yet my immediate impression of All Beauty was formed after leaving the theater and looking toward the Sacrificial Rites Martial Temple at the end of Yongfu Road. The first time I saw it, I felt that it occupied the middle of the road with an almost arrogant force, absorbing a considerable flow of traffic as if it did not care. It simply stood there with authority.

Only after becoming familiar with the area did I learn that Yongfu Road bends to the right to avoid the temple, and that Chihkan Tower behind it is the road's true endpoint. When I was young, my family often came here and parked nearby. All Beauty Theater brought me back to this place.

I have forgotten many of the films I watched, but the spatial details outside the theater still return to me from time to time. I may no longer be willing to spend several hours entering a completely new world through a film. Instead, on the same empty streets late at night, fragments of old memories surface for no clear reason.

Nomad Sketching